Sapo Codebits Summer Call

Pos­ted by Fili­pe Cruz

Yes, It’s that time of the year again. The days are lon­ger. The scho­ol year is ending. The metro­po­lis gets deser­ted. A never ending stre­am of music fes­ti­vals get cons­tan­tly promoted.

And whi­le drin­king a cold cola with a twist of lemon and 3 ice­cu­bes at that bar near your local bea­ch; Whi­le over­powe­red by the mul­ti­tu­de of colors from all the latest biki­ni fashi­on sta­te­ments; All the nerds of this glo­ri­ous land, pushed out to the oce­an at the wes­tern point of euro­pe, all of them nerds, can think only and only think of one thing: shouldn’t the dates of this years Sapo Code­bits be announ­ced by now?

 

Yes, for­get about the scho­ol year that just ended, for­get the latest code revi­si­ons from all tho­se Goo­gle Sum­mer of Code pro­jects you been fol­lowing for a cou­ple of weeks, for­get about your pseu­do-holi­day plans for a few minu­tes. Nerds of Por­tu­gal, recall what’s really impor­tant if not for just a cou­ple of minu­tes: The dates of the new Sapo Code­bits have been announ­ced, 15–17 Novem­ber, the orga­ni­zers are alre­ady pushing out tea­ser pic­tu­res of the new spa­ce layout for this year. And it’s gon­na be awe­so­me again!

No, they’re not paying us to wri­te this. We deci­ded, out of our own voli­ti­on, after rea­ding one of their latest blog posts, that it was time to remind you all that the­re is an inco­ming bat­tle loo­ming abo­ve you. Yes, you, dear nerd who are thin­king of atten­ding Code­bits this year.

And why is that?” i hear you ask. Couz we pwned you hard last year with our Nucle­ar Taco Sen­sor Hel­met Gameshow pro­ject. That’s why! Our pwna­ge didn’t hap­pen out of the blue you know? We care­fully plan­ned this world domi­na­ti­on and had to car­ry it through nice and ste­ady to make sure we inde­ed had something grand we could put together in 48 hours and take the com­pe­ti­ti­on by storm. And unless you’d rather sit at home and cry your­self to sle­ep for another year you should be get­ting off your ass, right about yes­ter­day, and also get­ting ready for this years event!

We know, we know, our unsur­moun­ta­ble talent is qui­te hard to beat. But even if you’re too sca­red of get­ting your ass ser­ved again, you should be using this time to come up with cool pro­jects you could develop.

Com­mon mis­ta­kes you should be avoiding:

a) doing yet another clo­ne of something (without a sub­ver­si­ve twist). Simp­sons did it, if you can’t impro­ve on an old idea you shouldn’t be tou­ching it.

b) doing an hel­lo world of a ran­dom new tech­no­logy. Unless it’s taking full advan­ta­ge of the tech on a use­ful way, it’s dead fish in the water.

c) trying to be funny without the tech to back it up. You’ll get enter­tain­ment votes but unless it’s something over the top it’ll be just sad.

And in case you haven’t noti­ced just having a good pro­ject idea isn’t enough, you need to finish it and pre­sent it in an enga­ging way. Our public award win­ner entry is a good exam­ple on how a wtf pre­sen­ta­ti­on trumps over pro­ject specs. Peo­ple are more enga­ged when you _show_ them things ins­te­ad of _describing_ them.

I’m not saying you should turn your pre­sen­ta­ti­ons into a cir­cus, it wor­ked well for us last year becau­se no one was expec­ting something so over the top. What you should aim for is to have a good use­ful idea and pre­pa­re an enga­ging demons­tra­ti­on. Show awe­so­me­ness first, explain imple­men­ta­ti­on details later. And don’t for­get that during tho­se 48 hours that you are sup­po­sed to put your pro­ject together you will be get­ting dis­trac­ted by 4 tracks of tech talks whi­ch you may or may not cho­o­se to attend. And i also heard eating and sle­e­ping are impor­tant. So don’t aim for something unat­tai­na­ble, or if you must, at least mas­ter your wea­pon of choi­ce befo­re the event, to make sure the actu­al 48h deve­lop­ment peri­od goes smo­other. Sur­roun­ding your­self with folks who com­ple­ment your skills nicely is also a key fac­tor, don’t neglect it.

Ofcour­se all of the abo­ve is use­less if you don’t get your­self selec­ted to attend the event. Code­bits is limi­ted to 600 atten­de­es and if you want to be one of them you need to start buil­ding up your kar­ma by par­ti­ci­pa­ting acti­vely in the code­bits web­si­te and forwar­ding the infor­ma­ti­on to your blog, twit­ter and face­bo­ok con­tacts. A sure way to get admit­ted is to give a talk at the event, the­re will be a call ope­ning soon to sub­mit your talks. So if the­re is a tech­no­logy you have been busy mas­te­ring for the last few months you might want to con­si­der sub­mit­ting a talk about it when the call opens.

And why should you care about atten­ding code­bits at all? Well, even if your pro­ject fails to win anything you’ll still:

a) get some prac­ti­ce with the tech­no­logy you cho­se to explore

b) learn a lot from the talks pre­sen­ted you bothe­red atten­ding or chec­ked the vide­os after

c) check what everyo­ne else is up to

d) have some unres­trai­ned chats with other ran­dom nerds on the food queue

e) face the pos­si­bi­lity of a near death expe­ri­en­ce by nucle­ar taco

f) have fun geek’ing out

g) get an awe­so­me t‑shirt!

I have atten­ded the last 3 edi­ti­ons of Code­bits and i can tell you i lear­ned new things in all of them. The­re is always something new out the­re worth chec­king out or new peo­ple to meet. I had a blast with fri­ends, wat­ched some nice gigs, sha­red my kno­wled­ge with fel­low geeks and even mana­ged to win some poofs and badges!

Every year we setup a small cor­ner for the Audi­ên­cia Zero labs, the­re we gather the folks from our 3 media hac­klabs, LCD from Porto/Guimarães, altLab from Lis­bon and xDA from Coim­bra. We show­ca­se 3d prin­ting, give some elec­tro­nic workshops and help each other out with ran­dom pro­jects. Meet us there!

Why we need Open, Hackable Materials now – An Interview with Catarina Mota ( our founder :P )

 

Why we need Open, Hac­ka­ble Mate­ri­als now – An Inter­vi­ew with Cata­ri­na Mota @ Mee­daby­te.

Catarina Mota

I had the oppor­tu­nity to get in tou­ch with  Cata­ri­na Mota recen­tly, whi­le I was hel­ping my fri­ends at openp­Pi­cus, to con­nect with the Open Sour­ce Hard­ware Asso­ci­a­ti­on. She is, no doubt, amongst the most emi­nent repre­sen­ta­ti­ves of the Hac­king­mo­ve­ment. To me, it’s extre­mely impres­si­ve though how one of the lea­ders of this revo­lu­ti­on is coming right from out­si­de the tech­no­lo­gi­cal world and actu­ally has a com­mu­ni­ca­ti­on sci­en­ces and film col­le­ge back­ground. When I asked her to tell me a bri­ef recap of her expe­ri­en­ce of hac­king, she gave a really insight­ful and detai­led story.

Our founder Catarina Mota @ TEDGlobal 2012

 

To be equipped for the future, you need to know smart materials’:
Catarina Mota at TEDGlobal 2012

 

Catarina Mota at TEDGlobal 2012

Cata­ri­na Mota has many fri­ends. One of her friend’s fathers, when her fri­end was a kid, built a vehi­cle out of a bicy­cle and washing machi­ne, becau­se the family couldn’t afford a car. Cul­tu­rally, we used to know how to make and fix everything. As the 20th cen­tury pro­gres­sed, we lost that abi­lity, but thanks to the maker com­mu­nity, we are slo­wly get­ting it back. By fos­te­ring the deve­lop­ment and inven­ti­on of new smart mate­ri­als, Cata­ri­na hopes to help makers rea­ch the next level.

What are smart mate­ri­als? Fun­da­men­tally, they’re mate­ri­als we are alre­ady incre­di­bly fami­li­ar with like paint, paper and plas­tic. The trick is, all of the­se mate­ri­als now come with a twist. Paint and ink, for exam­ple, can now con­duct elec­tri­city such that peo­ple are able to paint cir­cuits with a brush or, with the addi­ti­on of a mag­net, make a spe­a­ker out of a she­et of paper. Acry­lic, a type of plas­tic, can now be infu­sed with light dif­fu­sing par­ti­cles so light can reflect through its enti­re sur­fa­ce ins­te­ad of just the edges. What this means prac­ti­cally is, by flip­ping a light swit­ch, you can turn your win­dows from see-through to opa­que. Ther­mo­ch­ro­mic pig­ments can be added to plas­tics so you can see when your baby’s bot­tle is hot. Pos­si­bi­li­ti­es are beco­ming endless.

Howe­ver, in order to har­ness the full poten­ti­al of the­se mate­ri­als, Cata­ri­na beli­e­ves that we need to have a dee­per unders­tan­ding of the com­po­nents that are making up our world. We need to have a dee­per unders­tan­ding becau­se when we do, we are able to sha­pe the objects we use ins­te­ad of tho­se objects sha­ping use. Beyond being savvy con­su­mers, by del­ving into tin­ke­ring, we open the doors to inno­va­ti­on. From moun­tain bikes to air­pla­nes, semi-con­duc­tors to com­pu­ters, his­tory has repe­a­te­dly shown that it’s been the ama­teurs who have been the sig­ni­fi­cant inven­tors and impro­vers of the world.

To bols­ter the tin­ke­rers’ abi­lity to cre­a­te, Cata­ri­na co-foun­ded openmaterials.org, a web­si­te whe­re peo­ple publish infor­ma­ti­on and aggre­ga­te rese­ar­ch, papers, and tuto­ri­als by other makers. Her ove­rall mes­sa­ge is sim­ple: draw from the expe­ri­ments of the crowd and unders­tand smart mate­ri­als. Like lear­ning about com­pu­ters in the 1970s, the best way to ensu­re we have a say in our futu­re is to acqui­re pre-emp­ti­ve kno­wled­ge of emer­ging tech­no­lo­gi­es now.

Catarina Mota at TEDGlobal 2012

Pho­tos by James Dun­can Davidson

VIA [TED Blog]

We’re supporting Cidade PreOcupada Festival!

” IV EDIÇÃO DO FESTIVAL CIDADE PRE0CUPADA

Ofi­ci­nas do Con­ven­to | uma co-pro­du­ção com a Câma­ra Muni­ci­pal de Montemor-o-Novo
A IV edi­ção do fes­ti­val Cida­de Pre0cupada resol­veu esprei­tar além-fron­tei­ras e tra­zer até Mon­te­mor-o-Novo o Chi­le, a Holan­da, a Espa­nha, a Chi­na, Cabo Ver­de e Japão. Músi­ca, Cine­ma, Con­fe­rên­ci­as, Workshops, Resi­dên­ci­as Artís­ti­cas, Expo­si­ções, Ins­ta­la­ções e Ani­ma­ção vol­tam a recla­mar a cida­de, inva­din­do con­ven­tos, fes­tas popu­la­res, jar­dins e ter­rei­ros, mer­ca­dos e soci­e­da­des. Espe­ra­mos por vocês na cida­de criativa.

Artis­tas

André Sier (PT), Cla­ra Bri­to (PT), Car­los Maza (CL), Dead J (CH), Dora S (CH), DJ Mar­cel­le (HL), Gec­ko Tur­ner (ES), João Bas­tos (PT), Ka Keong (CH), Lula’s Cachu­pa Psi­ca­dé­li­ca (CV), Magau (PT), Manu­el Sil­va (PT), Nuno Lemos (PT), Onishi Yasu­a­ki (JP), Peng Yun (CH), Ran­cho Fol­cló­ri­co e Etno­grá­fi­co Mon­te­mo­ren­se (PT), Tia­go Fróis (PT), Tia­go Perei­ra (PT)

Par­cei­ros

A Músi­ca Por­tu­gue­sa a Gos­tar Dela Pró­pria, Alt_Lab, Asso­ci­a­ção Cul­tu­ral +853, Asso­ci­a­ção Espa­ço do Tem­po, Câma­ra Muni­ci­pal de Mon­te­mor-o-Novo, Casa João Cida­de, Casa de Hari­na, Cen­tro de Ciên­cia Viva de Estre­moz, Coo­pe­ra­ti­va Cul­tu­ral PIA, CUT – Asso­ci­a­ção Cul­tu­ral, Fil­mes da Pra­ça, Indi­e­Lis­boa, Jun­ta de Fre­gue­sia de N.ª S.ª da Vila, Lines_Lab, Rede de Cida­da­nia de Montemor-o-Novo

http://cida­de­pre­o­cu­pa­da.ofi­ci­nas­do­con­ven­to.com/