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mm

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Mauricio Martins.
mauricio at ledsandchips.com

[EN]
Coordinator of altLab Lisbon’s Hackerspace, a community-based and community-building collective dedicated to independent research. Maker of Things, Tinkerer, and Open Source advocate. Works mainly as Collaborative Project Developer focused on DIY Experimentation with Electronics, Physical Computing and Digital Fabrication.

[PT]
Actual coordinator of Altlab – Lisbon’s Hackerspace

Experiência em eletrónica, desenho de interação e vídeo produção.
Defensor e promotor do uso do software e hardware livres (open-source software&hardware).
Desenvolve projetos nas áreas de computação física, interfaces tangíveis e interativas.
Organiza workshops na área do DIY (do it yourself) e fabricação digital.
Colabora com diversos artistas portugueses no desenvolvimento de soluções interativas.

1998 – 2002 : É diretor técnico audiovisual Praça Sony, Expo’98. – Lisboa
2002 – > : Lança website dvpt.com para prestação de serviços audiovisuais.
2010 : Participa como colaborador no Interactivos’10, Medialab Prado – Madrid.
2010 – > : Coordena altLab – Lisbon´s Hackerspace.
2010 – > : Colabora na área de hardware para computação física nas empresas NearInteraction e ArticaCC.
2010 : Participa na residência AZ no Espaço do Tempo – Montemor-o-Novo.
2011 : Organiza e coordena evento na área da fabricação digital, FabriCamp LX1 no Pavilhão do Conhecimento – Lisboa.
2011 – > : Lança website ledsandchips.com para prestação de serviços e venda de artigos na área da computação física.
2011 : Organiza e coordena Residência AZ “Tangíveis” no Espaço do Tempo – Montemor-o-Novo.
2011 : Idealiza projeto “Nuclear Taco Helmet Sensor Gameshow” e coordena equipa vencedora do primeiro prémio do público no Codebits V.
2011 – 2012 : Organiza workshops na área da Eletrónica DIY no Festival Cidade PreOcupada – Montemor-o-Novo.
2012 : Desenvolve em conjunto com a empresa ArticaCC soluções interactivas para campanha publicitária da Adidas na Liga dos Campeões. – Munique.
2012 : Organiza e coordena workshop para construção de impressoras 3D no FabLab EDP.
2012 : Participa a convite do Pav. do Conhecimento no workshop “Thinkering Studio Implementation” no Exploratorium. – São Francisco, EUA.

Home page: http://ledsandchips.com

Posts by mm

Work­shop Apren­der a Sol­dar + Elec­trónica + Arduino

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Sapo Codebits Summer Call

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Posted by Fil­ipe Cruz

Yes, It’s that time of the year again. The days are longer. The school year is end­ing. The metrop­o­lis gets deserted. A never end­ing stream of music fes­ti­vals get con­stantly promoted.

And while drink­ing a cold cola with a twist of lemon and 3 ice­cubes at that bar near your local beach; While over­pow­ered by the mul­ti­tude of col­ors from all the lat­est bikini fash­ion state­ments; All the nerds of this glo­ri­ous land, pushed out to the ocean at the west­ern point of europe, all of them nerds, can think only and only think of one thing: shouldn’t the dates of this years Sapo Codeb­its be announced by now?

 

Yes, for­get about the school year that just ended, for­get the lat­est code revi­sions from all those Google Sum­mer of Code projects you been fol­low­ing for a cou­ple of weeks, for­get about your pseudo-holiday plans for a few min­utes. Nerds of Por­tu­gal, recall what’s really impor­tant if not for just a cou­ple of min­utes: The dates of the new Sapo Codeb­its have been announced, 15–17 Novem­ber, the orga­niz­ers are already push­ing out teaser pic­tures of the new space lay­out for this year. And it’s gonna be awe­some again!

No, they’re not pay­ing us to write this. We decided, out of our own voli­tion, after read­ing one of their lat­est blog posts, that it was time to remind you all that there is an incom­ing bat­tle loom­ing above you. Yes, you, dear nerd who are think­ing of attend­ing Codeb­its this year.

And why is that?” i hear you ask. Couz we pwned you hard last year with our Nuclear Taco Sen­sor Hel­met Gameshow project. That’s why! Our pwnage didn’t hap­pen out of the blue you know? We care­fully planned this world dom­i­na­tion and had to carry it through nice and steady to make sure we indeed had some­thing grand we could put together in 48 hours and take the com­pe­ti­tion by storm. And unless you’d rather sit at home and cry your­self to sleep for another year you should be get­ting off your ass, right about yes­ter­day, and also get­ting ready for this years event!

We know, we know, our unsur­mount­able tal­ent is quite hard to beat. But even if you’re too scared of get­ting your ass served again, you should be using this time to come up with cool projects you could develop.

Com­mon mis­takes you should be avoiding:

a) doing yet another clone of some­thing (with­out a sub­ver­sive twist). Simp­sons did it, if you can’t improve on an old idea you shouldn’t be touch­ing it.

b) doing an hello world of a ran­dom new tech­nol­ogy. Unless it’s tak­ing full advan­tage of the tech on a use­ful way, it’s dead fish in the water.

c) try­ing to be funny with­out the tech to back it up. You’ll get enter­tain­ment votes but unless it’s some­thing over the top it’ll be just sad.

And in case you haven’t noticed just hav­ing a good project idea isn’t enough, you need to fin­ish it and present it in an engag­ing way. Our pub­lic award win­ner entry is a good exam­ple on how a wtf pre­sen­ta­tion trumps over project specs. Peo­ple are more engaged when you _show_ them things instead of _describing_ them.

I’m not say­ing you should turn your pre­sen­ta­tions into a cir­cus, it worked well for us last year because no one was expect­ing some­thing so over the top. What you should aim for is to have a good use­ful idea and pre­pare an engag­ing demon­stra­tion. Show awe­some­ness first, explain imple­men­ta­tion details later. And don’t for­get that dur­ing those 48 hours that you are sup­posed to put your project together you will be get­ting dis­tracted by 4 tracks of tech talks which you may or may not choose to attend. And i also heard eat­ing and sleep­ing are impor­tant. So don’t aim for some­thing unat­tain­able, or if you must, at least mas­ter your weapon of choice before the event, to make sure the actual 48h devel­op­ment period goes smoother. Sur­round­ing your­self with folks who com­ple­ment your skills nicely is also a key fac­tor, don’t neglect it.

Ofcourse all of the above is use­less if you don’t get your­self selected to attend the event. Codeb­its is lim­ited to 600 atten­dees and if you want to be one of them you need to start build­ing up your karma by par­tic­i­pat­ing actively in the codeb­its web­site and for­ward­ing the infor­ma­tion to your blog, twit­ter and face­book con­tacts. A sure way to get admit­ted is to give a talk at the event, there will be a call open­ing soon to sub­mit your talks. So if there is a tech­nol­ogy you have been busy mas­ter­ing for the last few months you might want to con­sider sub­mit­ting a talk about it when the call opens.

And why should you care about attend­ing codeb­its at all? Well, even if your project fails to win any­thing you’ll still:

a) get some prac­tice with the tech­nol­ogy you chose to explore

b) learn a lot from the talks pre­sented you both­ered attend­ing or checked the videos after

c) check what every­one else is up to

d) have some unre­strained chats with other ran­dom nerds on the food queue

e) face the pos­si­bil­ity of a near death expe­ri­ence by nuclear taco

f) have fun geek’ing out

g) get an awe­some t-shirt!

I have attended the last 3 edi­tions of Codeb­its and i can tell you i learned new things in all of them. There is always some­thing new out there worth check­ing out or new peo­ple to meet. I had a blast with friends, watched some nice gigs, shared my knowl­edge with fel­low geeks and even man­aged to win some poofs and badges!

Every year we setup a small cor­ner for the Audiên­cia Zero labs, there we gather the folks from our 3 media hack­labs, LCD from Porto/Guimarães, alt­Lab from Lis­bon and xDA from Coim­bra. We show­case 3d print­ing, give some elec­tronic work­shops and help each other out with ran­dom projects. Meet us there!

Why we need Open, Hackable Materials now – An Interview with Catarina Mota ( our founder :P )

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Why we need Open, Hack­able Mate­ri­als now – An Inter­view with Cata­rina Mota @ Meed­abyte.

Catarina Mota

I had the oppor­tu­nity to get in touch with  Cata­rina Mota recently, while I was help­ing my friends at openpPi­cus, to con­nect with the Open Source Hard­ware Asso­ci­a­tion. She is, no doubt, amongst the most emi­nent rep­re­sen­ta­tives of the Hack­ing­move­ment. To me, it’s extremely impres­sive though how one of the lead­ers of this rev­o­lu­tion is com­ing right from out­side the tech­no­log­i­cal world and actu­ally has a com­mu­ni­ca­tion sci­ences and film col­lege back­ground. When I asked her to tell me a brief recap of her expe­ri­ence of hack­ing, she gave a really insight­ful and detailed story.

Our founder Catarina Mota @ TEDGlobal 2012

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To be equipped for the future, you need to know smart mate­ri­als’:
Cata­rina Mota at TEDGlobal 2012

 

Catarina Mota at TEDGlobal 2012

Cata­rina Mota has many friends. One of her friend’s fathers, when her friend was a kid, built a vehi­cle out of a bicy­cle and wash­ing machine, because the fam­ily couldn’t afford a car. Cul­tur­ally, we used to know how to make and fix every­thing. As the 20th cen­tury pro­gressed, we lost that abil­ity, but thanks to the maker com­mu­nity, we are slowly get­ting it back. By fos­ter­ing the devel­op­ment and inven­tion of new smart mate­ri­als, Cata­rina hopes to help mak­ers reach the next level.

What are smart mate­ri­als? Fun­da­men­tally, they’re mate­ri­als we are already incred­i­bly famil­iar with like paint, paper and plas­tic. The trick is, all of these mate­ri­als now come with a twist. Paint and ink, for exam­ple, can now con­duct elec­tric­ity such that peo­ple are able to paint cir­cuits with a brush or, with the addi­tion of a mag­net, make a speaker out of a sheet of paper. Acrylic, a type of plas­tic, can now be infused with light dif­fus­ing par­ti­cles so light can reflect through its entire sur­face instead of just the edges. What this means prac­ti­cally is, by flip­ping a light switch, you can turn your win­dows from see-through to opaque. Ther­mochromic pig­ments can be added to plas­tics so you can see when your baby’s bot­tle is hot. Pos­si­bil­i­ties are becom­ing endless.

How­ever, in order to har­ness the full poten­tial of these mate­ri­als, Cata­rina believes that we need to have a deeper under­stand­ing of the com­po­nents that are mak­ing up our world. We need to have a deeper under­stand­ing because when we do, we are able to shape the objects we use instead of those objects shap­ing use. Beyond being savvy con­sumers, by delv­ing into tin­ker­ing, we open the doors to inno­va­tion. From moun­tain bikes to air­planes, semi-conductors to com­put­ers, his­tory has repeat­edly shown that it’s been the ama­teurs who have been the sig­nif­i­cant inven­tors and improvers of the world.

To bol­ster the tin­ker­ers’ abil­ity to cre­ate, Cata­rina co-founded openmaterials.org, a web­site where peo­ple pub­lish infor­ma­tion and aggre­gate research, papers, and tuto­ri­als by other mak­ers. Her over­all mes­sage is sim­ple: draw from the exper­i­ments of the crowd and under­stand smart mate­ri­als. Like learn­ing about com­put­ers in the 1970s, the best way to ensure we have a say in our future is to acquire pre-emptive knowl­edge of emerg­ing tech­nolo­gies now.

Catarina Mota at TEDGlobal 2012

Pho­tos by James Dun­can David­son

VIA [TED Blog]

We’re supporting Cidade PreOcupada Festival!

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 IV EDIÇÃO DO FESTIVAL CIDADE PRE0CUPADA

Ofic­i­nas do Con­vento | uma co-produção com a Câmara Munic­i­pal de Montemor-o-Novo
A IV edição do fes­ti­val Cidade Pre0cupada resolveu espre­itar além-fronteiras e trazer até Montemor-o-Novo o Chile, a Holanda, a Espanha, a China, Cabo Verde e Japão. Música, Cin­ema, Con­fer­ên­cias, Work­shops, Residên­cias Artís­ti­cas, Exposições, Insta­lações e Ani­mação voltam a recla­mar a cidade, invadindo con­ven­tos, fes­tas pop­u­lares, jardins e ter­reiros, mer­ca­dos e sociedades. Esper­amos por vocês na cidade criativa.

Artis­tas

André Sier (PT), Clara Brito (PT), Car­los Maza (CL), Dead J (CH), Dora S (CH), DJ Mar­celle (HL), Gecko Turner (ES), João Bas­tos (PT), Ka Keong (CH), Lula’s Cachupa Psi­cadélica (CV), Magau (PT), Manuel Silva (PT), Nuno Lemos (PT), Onishi Yasuaki (JP), Peng Yun (CH), Ran­cho Fol­clórico e Etno­grá­fico Mon­te­morense (PT), Tiago Fróis (PT), Tiago Pereira (PT)

Par­ceiros

A Música Por­tuguesa a Gostar Dela Própria, Alt_Lab, Asso­ci­ação Cul­tural +853, Asso­ci­ação Espaço do Tempo, Câmara Munic­i­pal de Montemor-o-Novo, Casa João Cidade, Casa de Harina, Cen­tro de Ciên­cia Viva de Estremoz, Coop­er­a­tiva Cul­tural PIA, CUT – Asso­ci­ação Cul­tural, Filmes da Praça, IndieLis­boa, Junta de Fregue­sia de N.ª S.ª da Vila, Lines_Lab, Rede de Cidada­nia de Montemor-o-Novo

http://cidade­pre­ocu­pada.ofic­i­nas­do­con­vento.com/

Workshop PCBs — Photo Report

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OF007-LX Workshop openFrameworks

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Workshop Fabricação de Placas de Circuito Impresso (PCB)

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Workshop Fabricação de Placas de Circuito Impresso (PCB)

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Playable Papercraft Piano Box

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Our founder Cata­rina Mota @ NYC Resistor

From NYC Resis­tor website

Eric Skiff wrote:

The piano box is a (some­what poly­phonic) paper toy syn­the­sizer with 12 keys, each trig­ger­ing a tone and an LED. The keys are a set of capac­i­tive sen­sors, made of cop­per tape, con­trolled by an Arduino Mega run­ning the CapSense and Tone libraries. The code for this project, writ­ten by Will Byrd and Cata­rina Mota, can be down­loadedhere. Please note that the cur­rent ver­sion of the Tone library has some prob­lems on Arduino 1.0. so it’s best to use ver­sion 23 or earlier.

The libraries used are avail­able here:
http://www.arduino.cc/playground/Main/CapSense
http://code.google.com/p/rogue-code/wiki/ToneLibraryDocumentation

Music: Chibi Ninja – from Resis­tor Anthems by Eric Skiff

So full of win!

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Posted by  via T(h)inker it!

 

So it was, yes­ter­day Alt­Lab meetup was full of win.
It started with some­one show­ing off his project, Laser Tag… no, no laser­ish paint­ball­ish kind of laser tag, it was more graf­fiti tag­ging, but using a laser pointer, a video pro­jec­tor, a cam­era and a kind off nifty soft­ware :)
Every­one played with it, and headed back inside, it was a kind of chilly in the back alley.Next, João Neves and me went on a date with Vio­leta… It was a kind of three­some, but Vio­leta is Alt­Lab Cup­cake 3D printer!I tried print­ing a part from a Wal­lace, bat as usual, Vio­leta didn’t fin­ished the print, and I was using my com­puter, so the plot thickens! :(


 

The prob­lem is in the printer, now we’re cer­tain of this! We scav­enged Alt­Lab junk… err… the nice and very orga­nized ware­house for ATX PSU, and tried a few, but that didn’t, so we plugged the orig­i­nal one back, and it worked! Vio­leta is print­ing again, at least two parts for Franky (a mini-mendel) with­out a hitch, the future will tell us.

 

And the pièce de résis­tance was the first test of a stereo lith­o­g­ra­phy printer… “what?!!?” it’s a 3D printer using photo sen­si­ble resin as a medium, very impres­sive piece of tech­nol­ogy. They made some expo­sure tests to under­stand how long they need to expose the resin for a per­fect cure, it’s around 15 sec­onds and they-re ready for the next layer :) A full of win day!

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