Posts tagged circuit bending

Workshop Ruído Táctil

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Neste workshop, com a dura­ção de 2 dias, ire­mos cons­truir sin­te­ti­za­do­res low-tech, reac­ti­vos ao toque, capa­zes de pro­du­zir uma vari­e­dade de sons e tex­tu­ras em fun­ção da posi­ção, humi­dade e pres­são dos dedos que toca­rem em pontos-de-contacto des­tes instrumentos.

As tare­fas nas quais os par­ti­ci­pan­tes vão ser envol­vi­dos permitir-lhes-ão familiarizarem-se com os prin­cí­pios bási­cos da elec­tró­nica, nome­a­da­mente com­po­nen­tes, esque­mas elec­tró­ni­cos e pro­cesso de sol­da­gem. Não se exige expe­ri­ên­cia pré­via como pré-requisito e o workshop é des­ti­nado a todos os curi­o­sos com mais de 15 anos.

Cada par­ti­ci­pante ter­mi­nará o workshop com um sin­te­ti­za­dor cons­truído por si, que per­mi­tirá aca­bar com o sos­sego de co-habitantes, huma­nos, cani­nos ou felinos.

Pede-se que os par­ti­ci­pan­tes tra­gam con­sigo objec­tos de madeira, plás­tico ou car­tão, que pos­sam ser fura­dos (cai­xas, tup­perwa­res, fras­cos, etc) nos quais pre­ten­dam alo­jar o seu sintetizador.

 


Workshop Ruído Táctil

 

 

For­ma­dor: André Cas­tro
Coor­de­na­dor: Tiago Serra
Datas: 23 e 24 de Abril de 2011
Horá­rio: 10h30-13h00 // 14h30-18h00
Local: xDA — Rua Aires de Cam­pos, 6 (Coim­bra)
Preço: 30 euros

Estado:

Aber­tas as Inscrições

 

Pedido de Informações

Ficha de Inscrição

 

Em breve em Lis­boa tam­bém, no altLab é claro :)
Stay Tuned!

 

Arduino Hack Day

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I want to join !

a glove that lights up when you shake hands

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light up glove

This mit­ten lights up when its wea­rer sha­kes hands with some­one. It has two expo­sed soft con­tacts around the thumb and across the palm which, when brid­ged by bare skin, turn on the LED embed­ded on the flower. The mit­ten itself was cre­a­ted by fashion desig­ner Isa­bel Tomás, and we then sewed a sim­ple touch switch cir­cuit onto it using con­duc­tive fabric and thread. It also works with high fives and hol­ding hands :)

high five and holding hands

Isa­bel and I desig­ned this as a soft cir­cuits exer­cise for some upco­ming mate­ri­als workshops. You can find all the ins­truc­ti­ons and ima­ges we pre­pa­red for this pur­pose @ openMaterials:

http://openmaterials.org/2010/03/03/making-a-glove-that-lights-up-with-a-hand-shake/

First Soft Circuits Open Lab

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soft circuits open lab

This Sun­day we’re hol­ding our first Soft Cir­cuits Open Lab at the School of Fine Arts in Lis­bon (FBAUL — Facul­dade de Belas Artes de Lis­boa). There is no pre­de­fi­ned struc­ture for the event. We will meet for the course of one day with the pur­po­ses of sha­ring kno­wledge, expe­ri­men­ting fre­ely, advan­cing on-going pro­jects, and just having fun wor­king together. Some of the peo­ple atten­ding will be spe­ci­a­lists in elec­tro­nics and others in tex­ti­les. Bar­camp style impromptu pre­sen­ta­ti­ons are very welcome.

Altlab will pro­vide some basic tools such as pli­ers, scis­sors, sol­de­ring irons, iro­ning board, etc. But par­ti­ci­pants must bring all the mate­ri­als and addi­ti­o­nal equip­ment neces­sary for their own projects/experiments (inclu­ding lap­tops). Here are some sug­ges­ti­ons: any kind of fabric, nee­dles and thread, yarn, t-shirts, con­duc­tive and/or resis­tive fabric, con­duc­tive thread, con­duc­tive and/or resis­tive yarn, knit­ting and/or cro­chet nee­dles, LEDs, coin cell bat­te­ries, bat­tery hol­ders, EL wire, strands of fiber optics, cop­per foil, cop­per adhe­sive track, alu­mi­num foil, resis­tive foam, regu­lar foam, ardui­nos (lily­pad or any other kind). If you’ve never wor­ked with any of these mate­ri­als and don’t have them handy, come anyway, you can help some­one else with their pro­ject and learn along the way.

For more infor­ma­tion on soft cir­cuits tech­ni­ques and mate­ri­als, check out the Soft Cir­cuits Resour­ces sec­tion on the open­Ma­te­ri­als wiki.

This open lab will take place on Febru­ary 21st, from 10:30 to 18:30, at the School of Fine Arts in Lis­bon, room 307, 1st floor (since our own space is still under cons­truc­tion). All are wel­come, there is no fee nor regis­tra­tion, but ple­ase do let me know if you are plan­ning on coming: catarinamota(at)audienciazero.org

Drum Pads

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drumpads1drumpads2

Hey.

Four drum pads ready to go.

All made of old mate­rial found in the Alt/Lab ins­tal­la­ti­ons, and a very spe­cial big thankxxx for Mónica who brought the casings (we are going back to that in a moment) for the drum pads.

So the idea was to make drum pads that we could hook up to a sound card(or wha­te­ver) and them make sweet music, this is a very nice com­bi­na­tion between pie­zo­e­lec­tric com­po­nents and a few layers of some absor­bent sound  mate­rial like rub­ber or cork foil (that’s what we use because there was nothing more) and a piece of alu­mi­num foil for a gre­a­ter drum area .

We use an old can (20l) of paint, four pie­zo­e­lec­tric found in elec­tro­nic junk like old modems and old telepho­nes, wire for con­nec­ting the pie­zos, cork foil for insu­la­tion the drum pad area and Mónica sup­ply the casings (square rub­ber cd´s stands), and glue for put­ting everything nice and tight .

First we cut a piece of the can (cir­cu­lar about 10cm radius)and we glued the piezo into it, then we dril­led one hole into the rub­ber casing for the wires to came out, them we cut two square cork foil parts (the first in the bot­tom of the casing and the other for the top) a bit of glue and that’s it drum pads ready to rock.

Now we got some audio coming out of the pads but thats just boring because its always the same and we want to go further like trans­for­ming audio into midi mes­sa­ges, and we found the right tool for it, its cal­led  “KTDrum­Trig­ger” and he trans­forms the audio sig­nal into midi notes, we can use this midi notes inside a sequen­cer pro­gram to con­trol any kind of ins­tru­ment (either VSTI or some other stuff), in our case we use the drum pads to con­trol “Bat­tery” and thats it ins­tant fun.

There are some other links and some other ideas for drum pads. This “one“uses ardu­nio as a source for the imput signal.

drumpads3

Circuit Bending

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Hello “intre­nets” people(s)

This post today reflects a lit­tle about  what cir­cuit ben­ding and diy are.

I have many fri­ends and col­le­a­gues  asking me “-So what is cir­cuit ben­ding?”, well here goes the awser and a bit of the his­tory behind cir­cuit bending.

Seems that a guy cal­led Reed Gha­zala, was making expe­ri­ments with some synthe­si­zers, trying to get some more sounds out of the elec­tro­nic ins­tru­ments, so he deci­ded to open one and poke the guts of the beast .

He soon  finds out that the core of an elec­tro­nic ins­tru­ment its a lot of fun and this could be exci­ting discover.

Now…have you ever heard of the Savant syn­drome ?  a per­son who as Savant Syn­drome have the abi­lity of mixing emo­ti­ons, like seeing num­bers in a wide vari­ety of colors or the alpha­bet in sha­pes and forms, the cause of this, its sim­ply the brain and some short fuses in some areas, and this its exac­tly what Cir­cuit ben­ding is.

So, when Reed deci­ded to explore the pos­si­bi­lity of the short cir­cuit he open a big door for expe­ri­men­tal music and a new form of seeing elec­tro­nic devi­ces, the idea its sim­ply bril­li­ant, lets open some toys, synths, pedals (wha­te­ver) and lets start to take some really cool sounds out of it, and the bril­li­ant part is : you don’t need to know about elec­tro­nics or be a geek who spent all day in the garage (myself inclu­ded), because cir­cuit ben­ding its like a a brain in short fuse.

What you need to cir­cuit ben­ding some stuff ?  This is another ques­tion and an impor­tant one. Hummm lets see:

First, you will need some kind of device that pro­du­ces sound, like a toy, a dis­tor­tion pedal, an old synth just to name a few.

Second, this is the impor­tant part DON’T USE ANYTHING THAT CONNECTS DIRECTLY TO THE AC/DC POWER, this means DEATH, ins­tead use bat­te­ries, all kinds of bat­te­ries and even trans­for­mers as long you don’t touch that evil 220 V you are in business .

Third, open your device and cho­ose your method of ope­ra­tion, this could be done in a vari­ety of ways, you could use your fin­gers with a lit­tle of saliva (ughhh), or two screw dri­vers con­nec­ted by an alli­ga­tor clip.

Four, explore and see if the device reacts to your touch poking some cir­cuits, i often get some great results poking the chips legs and con­nec­ting them together, fin­ding the cool points its fun so don’t give up if you don’t find something in the first 5 minutes.

Five, ohh the “intre­nets” yes there’s a lot in here just search a bit and you will find your­self in a brand new world, of course the cir­cuit ben­ding com­mu­nity its open min­ded and fri­en­dly, so don’t be shy and ask ques­ti­ons (most of us don’t know what are doing so join the club).

Now you know were Beck, Madonna, Mike Pat­ton and many others are get­ting they ins­pi­ra­tion (yeah that’s right Madonna), the musi­cal pos­si­bi­lity are immense, just think  is you, who  are dis­co­ve­ring your own sounds and making it at the same time (not like a patch in a synthe­si­zer ) something really new and fresh made enti­rely  by you.

So,  what is Cir­cuit Bending  ?

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